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I know that this may be alittle off topic here, but in this Holgraphic Universe "sound" is everything.
I had a vision that alot of the Crop Circles that have been forming on this Earth, are the result of huge sound vibrations directed to certain spots on this planet via certain sound mediums like large crystal oscillators or large tonoscopes.
'Sound' can manifest into 'form' through the medium of various materials. "In the beginning was the word..." takes on a whole new meaning when you understand 'cymatics'.
Its so fascinating... whether it be from outside our world, or from the Top Secret Domes of scientific experiments here on Earth, it is fascinating that 'sound' can create the most beautiful geometric patterns ever created.
In 1815 the American mathematician Nathaniel Bowditch began studying the patterns created by the intersection of two sine curves whose axes are perpendicular to each other, sometimes called Bowditch curves but more often Lissajous figures. (se below right) This after the French mathematician Jules-Antoine Lissajous, who, independently of Bowditch, investigated them in 1857-58. Both concluded that the condition for these designs to arise was that the frequencies, or oscillations per second, of both curves stood in simple whole-number ratios to each other, such as 1:1, 1:2, 1:3, and so on.
Since these discoveries, the Higher Scientific field and minds of this world have been experiementing and using these tools in the study of Sound Creation, unbenownst to the general public.
What creates the variations in the shapes of these designs is the phase differential, or the angle between the two curves. In other words, the way in which their rhythms or periods coincide. If, on the other hand, the curves have different frequencies and are out of phase with each other, intricate web-like designs arise. These Lissajous figures are all visual examples of waves that meet each other at right angles.
As you ponder the connection between these figures and other areas of knowledge, one comes to think about the concept that exists in many societies and their mythologies around the world, which describes the world as a web (crossing sine waves). For example, many of the Mesoamerican people regarded the various parts of the universe as products of spinning and weaving: "Conception and birth were/.../ compared with the acts of spinning and weaving; all the Aztec and Mayan creation and fertility goddesses were described as great weavers." A number of waves crossing each other at right angles look like a woven pattern, and it is precisely that they meet at 90-degree angles that gives rise to Lissajous figures.
In 1967, the late Hans Jenny, a Swiss doctor, artist, and researcher, published the bilingual book Kymatik -Wellen und Schwingungen mit ihrer Struktur und Dynamik/ Cymatics - The Structure and Dynamics of Waves and Vibrations. In this book Jenny, like Chladni two hundred years earlier, showed what happens when one takes various materials like sand, spores, iron filings, water, and viscous substances, and places them on vibrating metal plates and membranes. What then appears are shapes and motion- patterns which vary from the nearly perfectly ordered and stationary to those that are turbulently developing, organic, and constantly in motion.
Jenny made use of crystal oscillators and an invention of his own by the name of the tonoscope to set these plates and membranes vibrating. This was a major step forward. The advantage with crystal oscillators is that one can determine exactly which frequency and amplitude/volume one wants. It was now possible to research and follow a continuous train of events in which one had the possibility of changing the frequency or the amplitude or both.
The tonoscope was constructed to make the HUMAN VOICE VISIBLE without any electronic apparatus as an intermediate link. This yielded the amazing possibility of being able to see the physical image of the vowel, tone or song a human being produced directly.
Not only could you hear a melody - you could see it, too!
Jenny called this new area of research Cymatics, which comes from the Greek kyma, wave. Cymatics could be translated as: the study of how vibrations, in the broad sense, generate and influence patterns, shapes and moving processes.
When the "OM" is uttered into a tonoscope which transfers the sound into its visual geometric representative, it creates a pattern identical to the SRI YANTRA Mantra. Isn't that incredible!
We live in such a wonderous Universe... everything is sound, vibration, geometry and light waves: with the basis and power of love as its root.
Lets keep our visions and tones for peace uplifted and soon it will infect the whole world!
xo
lana
Power to the Mystic!
I had a vision that alot of the Crop Circles that have been forming on this Earth, are the result of huge sound vibrations directed to certain spots on this planet via certain sound mediums like large crystal oscillators or large tonoscopes.
'Sound' can manifest into 'form' through the medium of various materials. "In the beginning was the word..." takes on a whole new meaning when you understand 'cymatics'.
Its so fascinating... whether it be from outside our world, or from the Top Secret Domes of scientific experiments here on Earth, it is fascinating that 'sound' can create the most beautiful geometric patterns ever created.
In 1815 the American mathematician Nathaniel Bowditch began studying the patterns created by the intersection of two sine curves whose axes are perpendicular to each other, sometimes called Bowditch curves but more often Lissajous figures. (se below right) This after the French mathematician Jules-Antoine Lissajous, who, independently of Bowditch, investigated them in 1857-58. Both concluded that the condition for these designs to arise was that the frequencies, or oscillations per second, of both curves stood in simple whole-number ratios to each other, such as 1:1, 1:2, 1:3, and so on.
Since these discoveries, the Higher Scientific field and minds of this world have been experiementing and using these tools in the study of Sound Creation, unbenownst to the general public.
What creates the variations in the shapes of these designs is the phase differential, or the angle between the two curves. In other words, the way in which their rhythms or periods coincide. If, on the other hand, the curves have different frequencies and are out of phase with each other, intricate web-like designs arise. These Lissajous figures are all visual examples of waves that meet each other at right angles.
As you ponder the connection between these figures and other areas of knowledge, one comes to think about the concept that exists in many societies and their mythologies around the world, which describes the world as a web (crossing sine waves). For example, many of the Mesoamerican people regarded the various parts of the universe as products of spinning and weaving: "Conception and birth were/.../ compared with the acts of spinning and weaving; all the Aztec and Mayan creation and fertility goddesses were described as great weavers." A number of waves crossing each other at right angles look like a woven pattern, and it is precisely that they meet at 90-degree angles that gives rise to Lissajous figures.
In 1967, the late Hans Jenny, a Swiss doctor, artist, and researcher, published the bilingual book Kymatik -Wellen und Schwingungen mit ihrer Struktur und Dynamik/ Cymatics - The Structure and Dynamics of Waves and Vibrations. In this book Jenny, like Chladni two hundred years earlier, showed what happens when one takes various materials like sand, spores, iron filings, water, and viscous substances, and places them on vibrating metal plates and membranes. What then appears are shapes and motion- patterns which vary from the nearly perfectly ordered and stationary to those that are turbulently developing, organic, and constantly in motion.
Jenny made use of crystal oscillators and an invention of his own by the name of the tonoscope to set these plates and membranes vibrating. This was a major step forward. The advantage with crystal oscillators is that one can determine exactly which frequency and amplitude/volume one wants. It was now possible to research and follow a continuous train of events in which one had the possibility of changing the frequency or the amplitude or both.
The tonoscope was constructed to make the HUMAN VOICE VISIBLE without any electronic apparatus as an intermediate link. This yielded the amazing possibility of being able to see the physical image of the vowel, tone or song a human being produced directly.
Not only could you hear a melody - you could see it, too!
Jenny called this new area of research Cymatics, which comes from the Greek kyma, wave. Cymatics could be translated as: the study of how vibrations, in the broad sense, generate and influence patterns, shapes and moving processes.
When the "OM" is uttered into a tonoscope which transfers the sound into its visual geometric representative, it creates a pattern identical to the SRI YANTRA Mantra. Isn't that incredible!
We live in such a wonderous Universe... everything is sound, vibration, geometry and light waves: with the basis and power of love as its root.
Lets keep our visions and tones for peace uplifted and soon it will infect the whole world!
xo
lana
Power to the Mystic!
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Re: Sound is Creation
Thu, September 16, 2004 - 12:24 AMwell, yeah. Sound is nothing more than a small band of wavelenghts that we can percieve through one of our senses. The universe is made up of various kinds of waves, gamma,X-rays, light ect. It is often argued that matter itself is composed of waves.
So yes, in a sense, sound IS everything, or rather, everything is sound.
